I am expecting a curator to visit my studio tomorrow. The piece he is interested in is Not to Know, But to Go On, my daily stitching. I'm considering how to join the panels together. Each panel holds about two weeks.
The paintings I had up for the July art tour have been relegated to a corner.
I also want to show him One Hundred Views of Wikwemikong - sketches that I've pulled out of journals from when we first moved to the island. I was enthralled by my view of the far shore across Manitowaning Bay. In a rush, I would write down the colours as they changed so extremely from hour to hour. This is a brand new piece.