Imagine my indigo quilts billowing on a clothes line near the Halcrow house.
Living as a white artist on Manitoulin, one of native North America's most sacred places, is problematic. I live in the middle of a rich culture, yet it is not my culture. What is Canadian identity? 
the brown motherly furrows
the whole estate
we walk on air
there is only the moon, embalmed in phosphorous
there is only a crow in a tree
make notes
Sylvia Plath
The Halcrow House on Highway 6 Manitoulin Island, on the hill above our house.
The Bell Mansion, Art Gallery of Sudbury
The exhibition Local Colour opens at the Art Gallery of Sudbury today to inaugurate the art rental program.
The text for this painting is from a poem by Margaret Atwood. Here is the original.
I'm packing this stitched watercolour for shipping to North Bay this week. The WKP Kennedy gallery is having an art auction and 20th anniversary birthday party on November 24th and I am proud to be included. Some of the other artists who have donated work are Alex Colville, Mary Pratt, Jeannie Thib, Dennis Geden, John Hartman and many more, all of the work can be seen on the website. This painting is one of a series that features the abandoned cement house not far from where I live. The preview exhibition opens November 8th. A print catalogue is also available.
These old cement houses and split rail fences are hauntingly beautiful, and are one of the things that make this island unique. I noticed a photo of one on Our Manitoulin last night when I checked out island blogs. According to Life on Mantioulin this is "de-lurking week". I guess this might be a good time to mention that the new blogger format has allowed me to re-configure my comments section. So if you have been trying to comment on this blog and haven't been able to, well, now you can! Another well maintained island blog is Dylon Whyte's. Dylon is my website designer who also happens to be an author of chain mail jewelery books. Last but not least is Freshisle Fibers, a knitting and dyeing blog that I am thrilled to discover and shall return to. Yes, we are an interesting bunch of bloggers here on Manitoulin Island.
I've been reading about Paul Cezanne, considered to be the most significant 19th century painter. He sought to show a world in his paintings that was similar but also quite distinct from the real world. He discovered that the eye is able to understand the image even when traditional one point perspective is absent. Instead, everything is on the surface of the picture and colour planes seem to slide under each other. This new kind of reality is "the reality of the painting".