I spent Sunday with Rowland Ricketts.
He was in Toronto for five days and the last day was a master class.
The images in this post show his work with stitch resist (above) and rice paste resist (below)
Click here to read Rowland's inspiring story.
Rowland's wife Chimani, wove the 13 metres of 14" wide cotton kimono cloth shown above.
He dyed it with stitch resist.
We learned some of his techniques for stitch resist during the workshop.
Rowland Ricketts is pictured above in front of my stitch resist learning sample
Rowland's teaching sample with the studio's irons
He was in Toronto for five days and the last day was a master class.
The images in this post show his work with stitch resist (above) and rice paste resist (below)
Click here to read Rowland's inspiring story.
Rowland's wife Chimani, wove the 13 metres of 14" wide cotton kimono cloth shown above.
He dyed it with stitch resist.
We learned some of his techniques for stitch resist during the workshop.
Rowland Ricketts is pictured above in front of my stitch resist learning sample
Rowland's teaching sample with the studio's irons
The smell of an indigo vat just as it begins fermenting and springs to life is one of ripeness, a moment of rich potentiality when, as a maker, I momentarily stand between the history of the materials and processes that helped me get the indigo thus far and the promise of all the work that the vat is still yet to realize. Rowland Ricketts
I am aware of a connection that leads not just from my teachers to me, but one that reaches back to my teacher's teachers and the people they learned from, back into a past in which the processes I uses were developed through the accumulated experiences of all who have ever worked with this unique dye. Rowland Ricketts.