Showing posts with label chain stitch. Show all posts
Showing posts with label chain stitch. Show all posts

Thursday, July 09, 2015

my embroidered quilts

Order Belies Chaos 1990  detail of the moon, text by Elizabeth I, hand pieced, chain stitch
Between the Leading Note and the Tonic 1998, the chain stitch embroidery is the quilting
  The embroidery on my quilts intensified after our move to Manitoulin Island in 1993.
Inanna's Prayer Rug  2000 pieced, layered, chain stitch  detail
Inanna's Prayer Rug 2000 pieced, layered, chain stitched, Collection of Ontario Juried Show


Visiting the textile museum in Toronto in 1994 and seeing embroidered world textiles inspired me and changed my work.  Although earlier quilts included embroidered text, using hand stitch as a surface design treatment was something that didn't occur in my work until 1996.
Secret Garden 2005  french knot and back stitch, English paper piecing, papers left in
Moisture and Greenness 2006  detail  mirror embroidery, chain stitch (the colour is digitally altered from original)
This post is a reflection on my embroidered quilts done before 2006.  The images are in chronological order and are from 2006 and 2007 blog posts.  In March 2016 I will have maintained this blog for 10 years and am considering how to celebrate that!
The Water Is My Grandmother  2006  detail of back of quilt  chain stitch 
The Water Is My Grandmother 2006 close up
For full views of these quilts, go to the 100 quilt blog and search by date. x

Monday, September 09, 2013

antique suzani

 
 I purchased this antique suzani at the Grand Bazaar in Istanbul last week.
I was looking for a simply designed vintage example of bokhara couching.
This piece is neither simple nor bokhara.
It is completely chain stitch done with a tambour hook..
I love the four narrow strips of hand woven cotton background, seamed together after being worked.
I love the naturally hand dyed hand loomed silk thread used with love and intuition.
I love the many mends.  This piece is no longer of museum quality.
Yet it  has a mother's love and touch.  I feel it across the century.  It is a family piece.
Ned and I came straight from the Toronto airport over to Kingston.  We needed to empty my father's condominium which has sold.  Dad is now living in Sudbury, much closer to us.

Saturday, May 14, 2011

Blessings

Counting My Blessings, Cotton and cotton velveteen, piecework, applique, embroidery, 78" x 82", 2000



My father turns 88 today. Have a great day, Dad. You are another of my blessings.

Sunday, February 13, 2011

African Threads

When I was in Nova Scotia last week I had the privilege of seeing Valerie Hearder's large collection of African Embroideries. To get a better idea of the wide variety please visit her African Threads site. What I am showing here are the unique portraits of contemporary life done by the group Kaross. Each measures about 14 by 37 inches. Val told me that this group employs nearly 1000 embroiders to work the designs made by a few. Each supports their often large extended families with this work. This is Archbishop Desmond Tutu. I purchased this embroidery of the archbishop. I love it. The embroiders are mostly women and are paid by the weight of their stitching. Most of what they do is decorative and very beautiful. The portraits are unusual within her collection. They are political because they are about contemporary life. They are one of a kind. Above is the current South African president, Jacob Zuma. Nelson Mandela at his birthday party. Another version of Mandela's birthday celebration.

Val has work by other embroidery groups in South Africa as well. The aids epidemic in Africa has hit the Continent very hard and the stories she shared with us were heart wrenching. A portion of everything African Threads sells goes to the Grandmother to Grandmother foundation of Stephen Lewis. She has many smaller, more affordable, less confrontational pieces than what I am showing here. This is a piece from a smaller group of thirteen women. Each designs, stitches and signs her own work. The aids story appears again and again. The Zulu woman who made this artwork tells the same story over and over in large tree of life wall hangings like this one. She compares the aids crises to the plague of locusts and war in how devastating it has been to her people. She uses only beads.

Friday, December 03, 2010

Earth Ark update

Earth Ark came off the quilting frame yesterday. Chain stitch embroidery/quilting. Karen Heather Strong T pins hold the quilt to the wooden frame. They had to be removed. First I rolled it up, then I unrolled it to take out more pins. It's quite heavy now with all the additional thread. Here is a glimpse of the reverse side. A square of Marimekko fabric bordered by recycled linen damask table cloths. This secret Finnish signature is one I plan to use for all four meditation panels. Grace is home for ten days. I am so glad that she came to work on the project yesterday.



















p.s. I FOUND my spiral necklace!

Tuesday, March 17, 2009

hearts, spirals, crosses

I called this work "my pleasure" during the six months or so that I spent on the hand embroidery
Hearts, spirals and crosses were stitched without pre-meditation. I was reading The Mists of Avalon at the time and Morgaine (the heroine) made an embroidery while in a trance.
Embroidery like this can be worked on anywhere and does not require a specialized studio or equipment like other art/craft methods do. This lack probably hampers the acceptance of embroidery in the mainstream art world. My age at the time is one of the secrets hidden within the stitches. Can you find it? Can you find the other secret word?

Monday, March 16, 2009

intellectual space

In the Centre of the Body is the Soul (detail) 1996

I've recently realized that I can re-photograph my older pieces with a digital camera and thus have more and better images of those pieces. Pictured here is a detail of my break-through 'masterpiece' made a dozen years ago and photographed yesterday. This is the piece that opened my eyes to hand embroidery. Before this piece, my quilts had relied on colour, pieced traditional pattern, and some image transfer.

"You don't have a life, do you?" asked one of my friends when she saw this quilt for the first time. One remembers that kind of comment. Embroidery is often seen as useless busy work by most people but I would argue that stitching creates a subversive solitary space for women to think. Women who stitch own their own intellectual space separate from the rest of the world –separate from their mothers, their husbands, their children, their co-workers.

Thursday, April 10, 2008

Jane Dunnewold and Moi

The five day workshop I'm teaching this June has a waiting list, Susan Traill informed me over the phone. I'll be teaching my Power and Beauty workshop at the London Branch of the Canadian Embroiderers' Guild's annual event. Jane Dunnewold, author of Complex Cloth, will be the other teacher. The idea of working alongside of Jane Dunnewold did put me into a flutter for a while, but I am getting used to the idea. In fact, I am looking forward to getting to know her.

Tuesday, January 08, 2008

I am

At the art quilting class tonight I talked about Nancy Crow. Her approach is inspiring to me because she takes herself and her aspirations as an artist so seriously. She has several studios with colour correct lighting, rows of tables and plentiful pin walls.

In her 2006 book she says "Never ever do I think about what others expect or want, but rather I look at my time in the studio as a process of discovery. It's all about being alone, in solitude, so that one can think and feel deeply, without interruption."

Saturday, January 05, 2008

Bed

One of the reasons that quilts have the ability to touch people in a poetic way is their connection to the bed. The bed is where it all happens. We are born there. We are sick and need to be cared for there. We die there. We make love there. We create new life there. When one considers these connections, the quilt becomes a most powerful medium for visual artists.

Thursday, January 03, 2008

slipping glimpser

Y'know the real world, this so called real world, is just something I put up with like everybody else.

I'm in my element when I am a little bit out of this world. Then I'm on the beam. Because when I'm falling I'm doing all right; when I'm slipping I say hey, this is interesting.

It's when I'm standing upright that it bothers me. I'm stiff.

As a matter of fact, I'm really slipping most of the time, into that glimpse.
I'm like a slipping glimpser.

Willem de Kooning