Wednesday, October 28, 2026

journal entry

This coming winter I am not just making work for the heck of it.  I am in a time-line because of the linen bienniele in Quebec.  I am challenged with the task of connecting contemporary art thinking with rural heritage.   The artist as social agent.  

Personally, I want to be creative with what I have around me.  

I want to bring the woolen blankets I've been working on for years into interaction with linen textiles.  The ones that gave beauty to their hard homes.  

But I am afraid.  

I read about an artist who stitched a moon every night for a year. 

She stitched a moon, the phases, while sitting in the same chair each night.  

Time was something that she could hold. 

Once or twice or three times, I saw something rise from the dust in the yard, 

like the soul of the dust, or from the field, 

rise and hover like a veil in the sun billowing

as if I could see the wind itself. 

I thought I did it - squinting - but I didn't

             ..............................................

I saw it.  It was a thing.  It was a thing and spirit both

the real world:  evident, invisible. 

                                                    Marie Howe  

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