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....and the Skeptic by Karen Schulz 81 " x 76"
cotton fabric, cotton batting, thread, yarn
hand dyed, machine pieced, machine quilted, couched |
"I found myself asking the question, "What are you afraid of?" The answer came back, "Look at what people have done. You can do anything." I decided then and there to embrace the whole of myself, the poet and the skeptic." Karen Schulz Maryland USA (Juror's award)
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Nightshift by Kit Vincent 79 x 79 "
cotton, silk, dyed and commercial cottons, thread, batting
machine pieced and quilted, appliqued |
"I began without expectation, allowing the design to surface as I worked. My goal was to challenge the perception of the material and to create an emotional repsonse with the viewer." Kit Vincent Ontario Canada
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Chasms 23 by beth Carney 54 x 67 inches
hand dyed cotton fabtic, silk batting, madeira threads
raw edged fusing, machine pieced and quilted |
" The bright colours traveling through the sometimes black, sometimes murky-grey, become a symbol of who we are as we move through experiences in life that continually challenge us. Beth Carney New York USA
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Zebra by Bonnie Bucknam 51 x 51 inches
hand dyed cotton fabric
machine pieced and quilted |
"While touring South Africa, I had the pleasure of seeing a zebra in the wild." Bonnie Bucknam Washington USA
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Conversations on Meaning by Gerri Spilka 82 x 100 inches
commercial and hand dyed cottons, cotton and wool batting, cotton thread
improvisationally machine pieced and quilted (denoted by the artist
machine quilted by Marina Baudoin |
"Interactions series reflects a fascination with themes that reappear. The interactions, relationships, and ambiguities inherent among people, place, and human-made and biolgical forces." Gerri Spilka Pennsylvania USA Juror's award
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Formations #26 by Petra Fallaux 83 x 85 inches
hand dyed pima cottons, procion mx dyes
freely cut fabric, machine pieced and quilted |
"Having grown up in the Netherlands, I find that I am most attracted to spare geometric forms. Formation 26 evokes the vast horizon and moody morning skies over coastal Holland" Petra Fallaux Pennsylvania USA
Petra Fallaux was one of the jurors for this 20th biennial of Quilt National and says this about the exhibition as a whole:
"The driving motor behind the first Quilt National at the Dairy Barn in 1979 was to provide an exhibit opportunity to artists whose work was unwelcome by the organizers of the existing quilt shows. This original impetus has resulted in a rich, tangible, and continuous biennial history of throught-provoking Quilt nationals. Today, Quilt National is an art exhibition among many others of its kind, but it will forever be the first of its kind." Petra Fallaux
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Nancy Crow, one of Quilt National Founders has ben making quilts for 40 years
standing in front of the quilt that was awarded best of show |
"Wow! What a rich variety of works greet viewers of quilt National 17. As a juror, I was thrilled to see so many strong quilts entered by artists whose work I did not know and additionally thrilled by the astounding new growth shown by seasoned artists known for their singular earlier styles. In all categories, I found that the best works exhibited dramatically strong ideas combined with dedicated techniques that were skillfully executed." Nancy Crow Ohio USA
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Line Study 17 by Margaret Black 90 x 75 inches
Kona cotton, thread, wool bat, cotton batting
free form cutting and piecing, machine quilted
Best of Show award |
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The top half of my quilt is hand quilted with white silk thread, while the lower half is quilted with pink silk thread, which is enough to change the colour slightly. I wanted to talk about pulling the quilt over me and a grandchild or two and letting it take us into dreamland but I can't remember if I actually did. Click Here! to see. (6 minutes) 
