I wanted my quilt, Soft Summer Gone, to have a kind of timelessness, as if it has always been.
I made it large and simple and open with emptiness.
I coloured it with yellow golden-rod wildflowers gathered at the end of summer from the fields and ditches.
I stitched it with large gestures that reached and crossed and with small circles that rose up.
I wanted my viewer to yearn to touch the stitches and the soft cloth.
I hoped to cause a poetic experience deep within.
I made it large and simple and open with emptiness.
I coloured it with yellow golden-rod wildflowers gathered at the end of summer from the fields and ditches.
I stitched it with large gestures that reached and crossed and with small circles that rose up.
I wanted my viewer to yearn to touch the stitches and the soft cloth.
I hoped to cause a poetic experience deep within.
Quilt National sent our work back to us last week.
I unfolded her softly.
I unfolded her softly.
5 comments:
poetry in motion
stitches, stitches, stitches ....
a (summer) sea of stitches
So much love stitched in the poem
Emptiness filled with love, emotion and timelessness.
There is something ever moving, ever changing about this piece like never ceasing ocean swells.
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