I’m Judy Martin and this is my quilt,
Soft Summer Gone.
It’s large. One hundred inches square. 8 ½ feet – 2 ½ metres square
The quilting is hand embroidery.
I live on an island in Lake Huron, one of North America’s great lakes.
The various yellows are from golden rod collected from fields and ditches.
That bit of blue is indigo.
My aim is to create textiles that connect with our inner world.
Consider the reverie that happens sometimes in nature.
A sudden time shift and we go back into childhood memory or leap forward into future hopes and dreams.
A feeling of well being.
All photos of the quilt in this post are by Nick Dubecki, from Sudbury.
The photo of me with my back to the world is by Judith Quinn Garnett, a fellow exhibitor.
The photo of me with my lovely certificate is by my husband Ned, who drove me to the opening
.
Soft Summer Gone received two awards in Surface Design at this year's Quilt National.
see here for complete list of award winners at this year's exhibition.
Soft Summer Gone.
It’s large. One hundred inches square. 8 ½ feet – 2 ½ metres square
It’s simple, quiet and empty, yet at the same time, it is luscious and full of touch and time.
It’s entirely hand stitched. Even the seams are layered, tucked and sewn by hand.The quilting is hand embroidery.
Wool yarn is couched into a large gestural drawing, a swoopy windy cross.
The threads are many colours of silk floss in stem stitch.
The fabrics are silk that I dyed with plants that grow where I live.I live on an island in Lake Huron, one of North America’s great lakes.
The various yellows are from golden rod collected from fields and ditches.
That bit of blue is indigo.
I use a large oval hoop in my lap to do this – it took two years just to do the quilting.
Consider the reverie that happens sometimes in nature.
A sudden time shift and we go back into childhood memory or leap forward into future hopes and dreams.
A feeling of well being.
My work employs the sense of touch, more powerful than the sense of sight for connecting to our emotional inner immensity.
My work is large, simple, quiet, full of touch and time, similar to nature.All photos of the quilt in this post are by Nick Dubecki, from Sudbury.
The photo of me with my back to the world is by Judith Quinn Garnett, a fellow exhibitor.
The photo of me with my lovely certificate is by my husband Ned, who drove me to the opening
.
Soft Summer Gone received two awards in Surface Design at this year's Quilt National.
see here for complete list of award winners at this year's exhibition.