![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPHzVK3UjVLhbsGk_PLxVaaEpV2MMxK4vYqz3Jn7FLgAdQDV1mM_x6PSbb-I4Rdp3mge6-RbmK_MubVC2BLpat40tGsU5PwqrQ5Drz-th89DSEergW024Sn_xJvD6icZ83q9_H7A/s400/bokhara-grid-002.jpg)
Today I drove the 40 minutes over to Mindemoya to visit Gloria, my framer. Water brimmed in the ditches and it was sunny. Together we chose frames for some of the drawings I did last summer and for this linen stitching. It's not often that I put textiles behind glass.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJOFavwfwyBLMv-UQ1He1nhJxvPFDIulRW8inDFa3bq1n_BG16noxmwRjuVW2aIGVGQ0PmZeNMOzmNgecIIzoWAeUtTd2gkU684ttajkeytYS1DMEnOKtEg7rAujC8c61Nt1SSJA/s400/safe-and-quiet.jpg)
These pieces are either for the Perivale gallery which opens in May or for
my LaCloche gig in early July.
2 comments:
These drawings are beautiful.
I know what you mean about textiles/glass. Some people won't buy them unless they are behind glass.But it deadens them.
One thing about putting raw edge pieces like this behind glass is it gives them a finished look. Lifts them from unfinished into art. However, I agree with you Jackie, about the fact that something is lost.
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