new biography

Judy Martin was born (1951) in the Fort Frances area of North Western Ontario and grew up on a large property with a lone elm tree that could be seen for miles.   Her father built and constantly renovated the family home,  her mother landscaped the yard with evergreens and filled the house with books and art supplies.

Judy married Ned Martin when she was 22 and the couple raised four children in three beautiful Northern Ontario locations, Thunder Bay, Kenora, and Manitoulin Island.  Judy and her husband continue to live and work on Manitoulin.

 Martin made her first quilt when she was 20, undaunted by the difficult pattern, Crown of Thorns.   She continues to make quilts but although her work has become simpler, it has not become smaller. Her textiles are like drawings, made from plant-dyed wool, silk, or re-purposed fabrics that have been sewn into artworks measured in feet rather than inches. 

 Martin believes that the sense of touch is the most effective way to make an emotional connection with another and her surfaces are covered with hand stitches. 

The repetition and weight of these marks over broad expanses of cloth seem to give access to our inner world.

While living in Kenora, Martin acquired an honours BFA degree from Lakehead University.  Her thesis exhibition included a sewn walk-through house and a wall quilt entitled Hold Me.  

Throughout the 90’s, Judy exhibited tender watercolour paintings of her children as well as quilts made from dyed and over-dyed fabrics.  In these textiles, she worked with two or more traditional quilt patterns in order to create a story or a poem using that feminine code.

 In 2012 Martin acquired a second university degree.  (first class honours BA in Embroidered Textiles from Middlesex University in the UK)  

She continues to study fine art and literature on her own, and keeps notebooks to help organize her constant search for meaning. 

Judy’s work has been widely exhibited across Canada as well as Europe, the United States, Japan and China. 

 In 2015 her stitched artwork was featured in the book Slow Stitch: Mindful and Contemplative Textile Art by Claire Wellesley Smith and in 2018, she received the Craft Ontario Volunteer Committee Mid-Career Award for Excellence. 

p.s.  It has been a while since I put information about my parents and my children into one of my biographies or about that lone Elm Tree that I grew up with.  More about the images can be found in the New Work blog, here  and here.