The whirl of 2024

January 14  1:50 pm

February 16  7:16 am

March 14   7:22 am

April 9   8:09 am

May 15  6:54 pm

June 12  8:25 am 

July 14  8:48 am

August 16  6:23 am 

September 23  9:34 am

October 7  6:48 pm

November 10  7:12am

December 21 4:34 pm

I thought about using this space to show the interior of my house with all the finished and unfinished quilts piled up or unfolded across beds and chairs and on the floor and on the wall, because then you might understand how much work I do and how I am always busy ....but...

this constant view of the Wikwemikong peninsula across the water of Manitowaning Bay is truer.  

I stare out the window half the time it seems.   That colour full sky gives me an answer, even when I didn't really ask a question.  Here it is.  

Here is the answer.  Our lives are fragile and our timelines are speeding forward.  We must be kind to each other and kind to ourselves.

It often does seem like there is an urgency to get things done, made, out there, but really, there is no rush.  Don't rush. Go slow.   I wish for you, my dear and appreciated blog readers, the very best for the new year.  Be tender.  Be slower.  Allow softness and kindness to rule.  Let's care.

Underfoot The Earth Divine

 

In this post I am trying something new.  By using the online record keeping that Judy’s Journal and My Process provide, I can show in a single post, the making and exhibition history of one of my best quilts,  Underfoot The Earth Divine.   

To view the original posts, just click on the date.   

January 1 2019

The sewing started from the middle on New Year's Day, 2019.

January 5 2019    

January 19 2019  

technique: machine piecing                                                                                                           materials:  a variety of linen damasks coloured with natural dyes.

February 17 2019    

I cut holes into the pieced strips and inserted velvet strips  to add interest to the sky area of the large emptiness.

September 10 2019    

Hand quilting starts from the centre with an oval hoop.  The backing fabric is naturally dyed linen damask, the batting is wool.  To make the large piece easier for me to handle in my lap,  I turn in the outer edges at first.  

February 7 2020    

The hand quilting is finished.

February 19 2020    

The back. 

July 17 2020    

Then the pandemic happened, and everything flipped including this quilt.  I turned the quilt so that the velvet pieces are at the bottom and added a couched yarn circle.  I was reading Walt Whitman's Leaves of Grass.  

"This then is life, here is what has come to the surface after so many throes and convulsions.           How curious!  How Real!  Underfoot the divine Soil, overhead the sun" 

September 13   2020  

December 31 2020    

I had professional photos made.  The reverse side has a name:   "Overhead the Sun"  

September 15 2021     

Underfoot the Earth Divine is part of the two person exhibition with Penny Berens, In the Middle of the World.  The show opened October 2 at the Mississippi Valley Textile Museum and I was advised that a black sleeve would disappear into the dark ceiling when it was installed so that visitors could walk around it, and view both sides.  

July 30 2022        

I made a new sleeve for the Fine Art Textiles Shortlist exhibition in the UK.  (honourable mention award)

February 21 2023    

The second rendition of In the Middle of the World happened in spring of 2023, and Underfoot The Earth Divine was shipped to Kenora, Ontario.    

 November 6 2023    

Underfoot the The Earth Divine won the Schweinfurth Award at Quilts=Art=Quilts in Auburn, New York, last weekend.  

what is it that I do?

new sleeve for Awakened Heart

You have to do work that's meaningful to you, and then you have to keep on doing it.  (Ann Gillen)

new sleeve for The Forever

I try to do only what I want to do.  

I try to do what feels necessary to do.

I do what I love.

view from the door of my town studio 

I got back into my town studio this month.  .

The Forever on the town studio table, side b

I was able to complete the sewing of a new sleeve for the largest of the blanket pieces, The Forever.

The Forever on town studio table, side a

I am returning it to it's original design - a horizontal swath of marks.  click here

The Forever on dining table at home

It's nearly 14 feet wide, 10 feet high.  It's larger than me.  

Moment to moment, day after day.

I stitch it.  My body touches it.

Eternity and the kitchen rug

The work I do takes a long time and I like that.

new sleeve for Eternity

My work is a statement about life itself, in a way.  About lived time.

Every day, we have to just go on.  Waking up and getting dressed and looking at the sky and being gentle with those we live with and touching them and moving out the door and interacting with the air and greeting strangers and getting in a car and hearing terrible news and picking up the bread and turning the key and putting on and taking off our coat,  zipping and unzipping, buttoning and unbuttoning and returning home and starting dinner and petting the cat and pulling the quilt up and kissing our loved ones and turning out lights. 

It's energy.

a new sleeve for Eternity side two

My work holds all that time.  That energy. 

My Heart and Her Arms Wrapped Round in the rocking chair

Time is my subject and my method.

new sleeve for Noble Tenderness

The images in this post are of some of the pieces that I'm getting ready for the Kenora, Ontario exhibition of In The Middle of the World that begins on March 30.   This exhibition was shown in late 2021 but I continue to improve some of the pieces.    

It's what I do.

My awakened heart / noble tenderness : A two-sided piece. 

 Time is packed into what I do

what is sacred is the time you spend

soft summer gone detail   plant dyed, hand stitched silk quilt included in Quilt National 2017

Soft Summer Gone  100 inches square, included in Quilt National 2017

What you produce is not necessarily sacred.

Cross My Heart detail, hand stitched silk quilt included in Quilt National 2011

 

Cross My Heart about 40 inches square, included in Quilt National 2011

What is sacred is the time you spend working on the project, 

and what the time does to expand your imagination,

Prayer to the Sky, detail, indigo dyed hand stitched wool quilt, included in Quilt National 2021

Prayer To the Sky, detail of reverse side, about 65" square, included in Quilt National 2021

And what that expanded imagination does to transform your life.    Elizabeth Gilbert

soft summer gone detail, quilted with embroidery,
 included in quilt national 2017, surface design award

I'm pleased to announce that Prayer To The Sky will be included in Quilt National 2021.  The exhibition is opening next month and preparations are underway.  One of the things is that last week, the director of the Dairy Barn asked me to answer several questions with videos.  Making selfie-videos is new for me, in fact it took my breath away but then I relaxed.  I'm sharing just a little clip about my fifty years of quilt making here for you dear readers.  The entire video will be ready next month and will be presented along with all the other artists' on the QN you tube channel.

order belies chaos

Not To Know But To Go On from April 3 2013 post

It takes months to put these stitches into the cloth.

stitched grid (detail) from April 4 2008 post

Months of lived experience.

  

Bidwell from April 4 2017 post

Consider what happens in that amount of time.

Not To Know But To Go On from April 3 2013 post

The events of the world and the events of a personal life story.  

 

Order Belies Chaos from April 2 2007 post

How brief our time is to be alive.   Our precious time.

All images from this blog.  (15 years of blogging so far)

The text is from  my April 3, 2013 post.