Toronto visit

Tomorrow is Another Day, indigo in linen damask, applique, hand stitching, 2024

I’m in Toronto this week.  I arrived on Friday and spent  two nights (Friday and Saturday) at the Gladstone House on Queen West.  I was able to do this fancy thing because part of the Gladstone House Award that I won last fall was one night's sleep in the room where my work is hanging for one year.  (The second night was half price).  My linen wall piece will be in room 309 until November.  After those two nights, I moved to the east end of the city where my son lives with his family.   

Our daughter April lives in the west end of the city, and on that first Saturday she took me to several commercial galleries.  First up was the Patel Brown gallery where there was a group show What We Carry.  The handmade washi paper sculptures of Japanese-Canadian artist, Alexa Kumiko Hatanaka resonated with me.  She made sewn boulders and 3-dimensional wall pieces from lino block printed paper that she had made herself.   

At the same gallery, we saw some pieces by Swapnaa Tamhane 

Bird's Eye mirror embroidery on dyed silk by Swapnaa Tamhane

Fence watercolour on paper  by Swapnaa Tamhane

I feel so lucky to have been able to see these inspirational, quilt-like pieces that reference place (her ancestral homeland) so eloquently.  

We visited the Clint Roenisch gallery next and I saw Leif Low-Beer's solo exhibition of naive sculptures and paintings done in pastels and bright colours in a variety of mediums.  

S.E.T.M. 1 2025 

In the Daniel Faria gallery, Jean-Francois Lauda's solo exhibition,  Some Exceeding Twelve Minutes, was on display. All the paintings had this as their name, differentiated by a number. 

S.E.T.M. 5     2025

Jean-Francois Lauda is a practicing musician, and the title, Some Exceeding Twelve Minutes refers to the time that performances of musical pieces stretches to be longer than usual or expected.  I liked that time is considered a material in these paintings.  The artist says that he enjoys "staying with something long enough to understand what it's doing or undoing".  

I tried to understand why Lauda's work resonated with me so much, and I think it is because his paintings are similar to my own work (in textiles).  Like my work, his paintings a) are nearly monochromatic and b) there are large areas of 'empty space filled with textural marks".

Window   2017. Oil on canvas 

The last gallery that we visited on Saturday was MOCA - the Museum of Contemporary Art.  I had looked forward to viewing the solo shows of Jessica Stockholder and Justin Ming Yong, but was not as impressed as I had hoped to be by them.  However, Margaux Williamson's extensive exhibition entitled Shoes, books, hands, buildings and cars was really good. There were a lot of paintings, several of them dated 2025.  Most were very large.  On large neutral backgrounds, she represents the familiar interiors and backyards of her life in a diaristic way.  Her compositions explore abstraction, a variety of perspectives, unfinished areas, and contemporary dailiness.  

Red Carpet (collection of the art gallery of Ontario) 2024

I've followed Margaux Williamson's career for a while, beginning from when I read Sheila Heti’s 2010 novel grounded in their personal friendship, How Should a Person Be?   However, this is the first time that I have been able to view her paintings in real life and it was astounding to be face to face with her masterly technique and the large scale of the paintings.  

The final artist I will speak about is my grand daughter, Suvi, age 4.  She used finger paint on finger painting paper in these morning paintings about the sun, but (such a rebel) she used a paint brush to apply the paint.  (except for that red finger-painted circle in the painting on the upper left.)    

lucky pillow and pinwheel quilt

 

I put one of my embroideries into a pillow and called it the Lucky Pillow because seven is a lucky number and my granddaughter turned 7 last week.  

I finished it on the drive to Toronto to visit the family.

The seven year old has a 3 year old little sister and they play together.  Here they are playing with the small quilt that I am making for little sister.

It's made from hand pieced pinwheels, one of my favourite ways to place half square triangles together.  To up the playful feeling of my hand dyes, I visited local quilt shops and purchased some new printed fabrics for this wee quilt intended for a new person.  (she's only the ripe old age of 3)   

Suvi's quilt is one of the hand work projects I took with me to Mexico.  I loved being able to put the pieces into a baggie and sew it on the plane using a thread cutter rather than scissors or take the baggie with me to the beach or pool.  In the above photo, I am putting a nine-patch of pinwheels together in the lobby of the resort during a period of waiting for one of our families to arrive.  

I prepared this project beforehand with rotary cut squares that were machine pieced together with a single diagonal line.  I cut off half of the tiny square and discarded that part, then pressed the squares open.

It is a very portable and cheerful project.

   

This baby quilt is one of two hand work projects I took to Mexico, the other one being the one patch quilt I wrote about last week.

I keep looking at it on the wall because I am cautious about using too much red fabric.  I want a light as air feeling that's interesting far away and close up.  

  

The lucky pillow as a hat for grandad.

the pinwheel quilt.  xo

Do you think the world has enough quilts yet?

the rescued Dresden plates from my earliest quilt,
re-appliqued onto new plant dyed linen, silk, rayon, wool

The title of this post is from my journal.

I wrote it a few days ago at 2:30 am when I was in the middle of un-stoppable creativity. 

 

You Are a Single Star

the round and round one-patch quilt that uses up my remnants of dyed damask 

I've been allowing myself to make and make without a plan or purpose, just a deep need to create.

What I make with my hands is related to the rhythm and finality of a human time span.

Your Fragile Life

I usually finish the quilts I make, but sometimes I don't.

Sometimes I come across false starts and don't understand them.

Other times I come across things I've started and become excited and need to work on them again.

 

on the wall left to right:  Suvi's baby quilt, White Cross, A Sky Full, and untitled, 
the folded green quilt was made by April, on the railing is Canadian Pioneer,   
left side of sofa is a wool grid backed with red silk,
right side of sofa is New Beginning, my pandemic patchwork

Creativity is a human activity. 

hand stitched cotton

I live my life.

I make quilts.

inspired by cloth and play and by that pink doily quilt I made a few years ago 

I know myself by making my quilts. 

Labour Day weekend

My quilts make my personal daily experiences meaningful.  

Marimekko cloth I have been hoarding

American sculptor, Anne Truitt, said that her work helped her to see her own life as something between natural and abstract.  

A Sky Full

"As I live, certain aspects of what is happening adhere to me as if magnetized by psychic gravity.  I have learned to trust this center"  Anne Truitt

The Countdown Quilt

"The process of art contains my intensities but also exorcizes those beyond my endurance"  A.T.

The Countdown Quilt with one layer of gauze upon which I've gone over with ink the weekly journal notes that I wrote on the back of the foundation blocks. 
One log cabin block each week, this quilt contains 49 weeks.  
I started it on our 46th wedding anniversary.  I appreciated every week that we both kept our health. 
 I was counting down towards the 50th, which happened this year.

"I depend on objectification for defense." Anne Truitt  

The weather this month was unreal.  

It poured light and imagination every day.