In this post I am trying something new. By using the online record keeping that Judy’s Journal and My Process provide, I can show in a single post, the making and exhibition history of one of my best quilts, Underfoot The Earth Divine.
To view the original posts, just click on the date.
The sewing started from the middle on New Year's Day, 2019.
January 5 2019technique: machine piecing materials: a variety of linen damasks coloured with natural dyes.
I cut holes into the pieced strips and inserted velvet strips to add interest to the sky area of the large emptiness.
The hand quilting is finished.
February 19 2020The back.
July 17 2020Then the pandemic happened, and everything flipped including this quilt. I turned the quilt so that the velvet pieces are at the bottom and added a couched yarn circle. I was reading Walt Whitman's Leaves of Grass.
"This then is life, here is what has come to the surface after so many throes and convulsions. How curious! How Real! Underfoot the divine Soil, overhead the sun"
I had professional photos made. The reverse side has a name: "Overhead the Sun"
September 15 2021Underfoot the Earth Divine is part of the two person exhibition with Penny Berens, In the Middle of the World. The show opened October 2 at the Mississippi Valley Textile Museum and I was advised that a black sleeve would disappear into the dark ceiling when it was installed so that visitors could walk around it, and view both sides.
July 30 2022I made a new sleeve for the Fine Art Textiles Shortlist exhibition in the UK. (honourable mention award)The second rendition of In the Middle of the World happened in spring of 2023, and Underfoot The Earth Divine was shipped to Kenora, Ontario.
November 6 2023
Underfoot the The Earth Divine won the Schweinfurth Award at Quilts=Art=Quilts in Auburn, New York, last weekend.
I loved seeing your process;))) what a lovely finish to this one...happy that you got an award--well-deserved!! Great quote from Walt Whitman.
ReplyDeleteI am stepping out, in a small way, and joined a QAL to learn how to make a medallion piece with no pattern for anything;000. Getting brave (or crazy!!) in my old age here...hugs, Julierose
This is a great way to document the evolution of a piece of work. I don't know how useful it is for you but for me as a way of comprehending your working process and its outcome, it is very interesting and complete. Thank you.
ReplyDeleteThank you for your informative and well-crafted post. It made a difference!
ReplyDeleteLove this format and this miracle of a work.
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